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Francis Alÿs. Children's Game #10 Papalote Balkh, Afghanistan, 2011. Video, 4:13 min. Courtesy of the artist & Jan Mot, Brussels & PKM Gallery, Seoul.

Francis Alÿs. Children's Game #10 Papalote Balkh, Afghanistan, 2011. Video, 4:13 min. Courtesy of the artist & Jan Mot, Brussels & PKM Gallery, Seoul.

Kader Attia. Eternal Now, 2018. Wooden beams from traditional Korean houses, metal staples, metal plinth, 221.5 x 14 cm. Courtesy of the artist & Galerie Nagel Draxler, Berlin & PKM Gallery, Seoul.

Kader Attia. Eternal Now, 2018. Wooden beams from traditional Korean houses, metal staples, metal plinth, 221.5 x 14 cm. Courtesy of the artist & Galerie Nagel Draxler, Berlin & PKM Gallery, Seoul.

Koo Jeong A. After CURIOUSSSA, 2016-2017. Oil painting on canvas after CURIOUSSSA, 45 x 35 x 2 cm. Courtesy of the artist & PKM Gallery.

Koo Jeong A. After CURIOUSSSA, 2016-2017. Oil painting on canvas after CURIOUSSSA, 45 x 35 x 2 cm. Courtesy of the artist & PKM Gallery.

Lee Bul. Chiasma, 2005. Installation view, “Lee Bul: From Me, Belongs to You Only,” Mori Art Museum, Tokyo, 2012. Hand-cut polyurethane panels on aluminum amature, 195 x 383 x 395 cm.

Lee Bul. Chiasma, 2005. Installation view, “Lee Bul: From Me, Belongs to You Only,” Mori Art Museum, Tokyo, 2012. Hand-cut polyurethane panels on aluminum amature, 195 x 383 x 395 cm.
Photo: Watanabe Osamu. Photo Courtesy: Mori Art Museum, Tokyo.

Martha Rosler. Photo Op from the series: House Beautiful: Bringing the War Home, new series (Ed. 8/10+2AP), 2004. Inkjet Print, 61 x 51 cm. Courtesy of the artist, Galerie Nagel Draxler Berlin/ Cologne/ Munich, & PKM Gallery, Seoul.

Martha Rosler. Photo Op from the series: House Beautiful: Bringing the War Home, new series (Ed. 8/10+2AP), 2004. Inkjet Print, 61 x 51 cm. Courtesy of the artist, Galerie Nagel Draxler Berlin/ Cologne/ Munich, & PKM Gallery, Seoul.

Hito Steyerl. Power Plants, 2019. Scaffolding structures, LED panels (3,9 mm pitch), multichannel video loop (color, silent), moving text lines, Dimensions variable. Courtesy the artist, Andrew Kreps Gallery, New York & Esther Schipper, Berlin.

Hito Steyerl. Power Plants, 2019. Scaffolding structures, LED panels (3,9 mm pitch), multichannel video loop (color, silent), moving text lines, Dimensions variable. Courtesy the artist, Andrew Kreps Gallery, New York & Esther Schipper, Berlin.

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