HYUNJIN BEK. Painting 1-02 for UnemploymentBankruptcyDivorceDebtSuicide Rest Stop, 2017, Oil on oil paper for oil paint, 130 x 240 cm (Frame: 137.2 x 242.7 x 4.7 cm). Courtesy of the artist & PKM Gallery.
HYUNJIN BEK. Painting 2-01 for UnemploymentBankruptcyDivorceDebtSuicide Rest Stop, 2017, Oil on oil paper for oil paint, 130 x 230 cm (Frame: 137.2 x 237 x 4.5 cm). Courtesy of the artist & PKM Gallery.
HYUNJIN BEK. Painting 4-01 for UnemploymentBankruptcyDivorceDebtSuicide Rest
Stop, 2017, Oil on oil paper for oil paint, 130 x 230 cm (Frame: 137 x 231.5 x 4.8 cm). Courtesy of the artist & PKM Gallery.
CODY CHOI. Power of Bluff-free Orgasm, 2017, Neon, light bulb, stainless steel, candy paint, electric sensor, 33.6 x 200 x 12 cm. Courtesy of the artist & PKM Gallery.
CODY CHOI. Episteme Sabotage-Bolony, 2014, Oil on canvas, cloth, thread, 86.3 x 48.2 cm. Courtesy of the artist & PKM Gallery.
CODY CHOI. Stolen Data Animal Totem, Tiger#2 , 2018, Oil, UV Ink, mesh, cloth, 162.2 x 130.3 cm. Courtesy of the artist & PKM Gallery.
KWANG YOUNG CHUN. Aggregation 17-AU059, 2017, Mixed media with Korean mulberry paper, 175 x 145 cm. Courtesy of the artist & PKM Gallery.
KWANG YOUNG CHUN. Aggregation 18-JA002, 2018, Mixed media with Korean mulberry paper, 183 x 152 cm. Courtesy of the artist & PKM Gallery.
MARIA WALKER. Look at How the Plants Have Grown!, 2015, Acrylic, unprimed canvas, wood, 88.9 x 175.2 x 13.9 cm each. Courtesy of the artist & PKM Gallery.
MARIA WALKER. Goodbye Brooklyn, 2015, Acrylic, unprimed canvas, wood, 88.9 x 175.2 x 14 cm each. Courtesy of the artist & PKM Gallery.